Here’s who will win big at the Tony Awards on Sunday (2024)

The 2023–24 Broadway season, which included a staggering 15 new musicals, has been unpredictable from the start. So it should come as no surprise that this year's Tony Awards are unusuallyhard to predict with confidence—especially in the musical categories.But having studied the2024 Tony nominations,kept track ofthe buzz and talked to industry sources, we're finally ready to make our calls. Here’s who we think will win when Ariana DeBose returns to host Broadway’s biggest nighton June 16, 2024.

RECOMMENDED:How to watch the 2024 Tony Awards

BEST MUSICAL

Hell’s KitchenIllinoiseThe Outsiders
Suffs
Water for Elephants

The race:The Tonys' biggest prize is also its biggest question mark, which will make for an exciting horse race on Sunday. The hit Alicia Keys musical Hell's Kitchen got the most nominations overall, and conventional wisdom has pegged it as the frontrunner from the start. But its support is very soft, in part because it's a jukebox musical, a genre that Broadway has mixed feelings about. So at least two other shows have chances of snagging the award: the street-gang serenade The Outsiders, which is also a hit and got nearly as many nominations as Hell's Kitchen; and the feminist historical musical Suffs, which would be in line with Tony voters' recent penchant for brainier and more original projects. Suffs would benefit the most from a win—a factor that many voters value—butwe've heard an awful lot of rumblings in The Outsiders's direction lately. In the end, we think Hell's Kitchen will still eke out a victory, but we'll be biting our nails until the final moments of the telecast.

BEST PLAY

Jaja’s African Hair Braiding by Jocelyn Bioh
Mary Jane by Amy Herzog
Mother Play: A Play in Five Evictions by Paula Vogel
Prayer for the French Republic by Joshua Harmon
Stereophonic by David Adjmi

The race: Strike up the band: David Adjmi's popular Stereophonic, a high-fidelity depiction of a rock group's struggle to make a record, earned a record-breaking 13 Tony nominations this year—thanks in part to its eligibility for two categories usually associated with musicals. Even in this year's strong field, it's a lock.

BEST REVIVAL OF A MUSICAL

Cabaret at the Kit Kat Club
Gutenberg! The Musical!
Merrily We Roll AlongThe Who’s Tommy

The race: Merrily We Roll Along will merrily steamroll the competition here. Once the problem child of the Stephen Sondheim canon, Merrily has returned to Broadway as an unlikely triumph. To quote the score, "It's a hit!"—both at the box office and in the hearts and minds of theater critics and audiences alike.

BEST REVIVAL OF A PLAY

AppropriateAn Enemy of the PeoplePurlie Victorious: A Non-Confederate Romp Through the Cotton Patch

The race: Each of these three fine productions would have a good shot of taking the prize in a different year. When they are pitted against one another, however, wethinkAppropriate has the upper hand; Purlie closed in February, and a win for Appropriate would be an opportunity to reward a major living American playwright, Branden Jacobs-Jenkins.

BEST BOOK OF A MUSICAL

Bekah Brunstetter, The Notebook
Kristoffer Díaz, Hell’s Kitchen
Rick Elice,Water for Elephants
Adam Rapp and Justin Levine,The Outsiders
Shaina Taub,Suffs

The race: We think this category will give voters away torecognize Shaina Taub for the feminist history musicalSuffs, the most ambitiously original offering of the year—for which she also wrote the music, and in which she also stars. By contrast, three of the other nominated books are adapted from novels-turned-films, and a fourth is constructed along familiar lines to incorporate pre-existing pop songs.

BEST SCORE

Will Butler, Stereophonic
David Byrne and Fatboy Slim, Here Lies Love
Adam Guettel, Days of Wine and Roses
Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine,The Outsiders
Shaina Taub,Suffs

The race:The inclusion ofStereophonicmakes this the biggest wild card of the year. Will Butler's rock songs for that show are terrific, and Stereophonic's cast album is probably the one that people are most likely to actually listen to for pleasure—but some voters may feel it would be insulting togive the prize to a play in a year with so many original musicals. And the other nominees each have something to recommend them: Suffs is the most traditional musical-theater score, Days of Wine and Roses is the most sophisticated, Here Lies Love is the weirdest, and The Outsidersstrikes some as the best mix of all those things—the Goldilocks option. (This might be also be a good chance to give something toThe Outsiders.)Did Stereophonicamass enough votes against these contenders? It's impossible to know, but we have a sneaking suspicion that Butler did it.

BEST ACTRESS IN A MUSICAL

BEST ACTOR IN A MUSICAL

Brody Grant,The Outsiders
Jonathan Groff,Merrily We Roll Along
Dorian Harewood,The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne,Cabaret at the Kit Kat Klub

The race:This is Brian d'Arcy James's fifth Tony nomination, and he hasn't won yet. He'll have to wait a bit longer, though: The special sauce in theMerrilyrevival is Groffsauce, and the widely beloved actor is nearly certain to take the win for his radiantly sincere central performance.

BEST ACTRESS IN A PLAY

Betsy Aidem, Prayer for the French Republic
Jessica Lange,Mother Play
Sarah Paulson,Appropriate
Rachel McAdams,Mary Jane
Amy Ryan,Doubt

The race:What a difficult choice for voters this year, and what a wonderful problem to have. It's a three-way raceamong mothers: Past winner Jessica Langemaywell win for her arresting work inMother Play, and Rachel McAdams couldscore an upset withher heartbreakingly sunny Broadwaydebut as the mom of a severely disabled child. But the odds favor Sarah Paulson for herrelentlessperformance as the toughcenter of Appropriate.

BEST ACTOR IN A PLAY

William Jackson Harper, Uncle Vanya
Leslie Odom Jr., Purlie Victorious
Liev Schreiber,Doubt
Jeremy Strong,An Enemy of the People
Michael Stuhlbarg,Patriots

The race: In asomewhat less exciting three-way race than the one for Best Actress, we think the top vote-getters will beStrong, Odom and Stuhlbarg—and that Strong, who has never won before and who anchored a hit production that is still running, has the somewhat strongest path.

BEST FEATURED ACTRESS IN A MUSICAL

Shoshana Bean,Hell's Kitchen
Amber Iman,Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python's Spamalot
Kecia Lewis,Hell's Kitchen
Lindsay Mendez,Merrily We Roll Along
Bebe Neuwirth,Cabaret at the Kit Kat Club

The race: This Tony category is often a heartbreaker, since there are usually so many worthy contenders for a single honor. That's especially true this year, when ties in the nominating process have yielded a whopping seven nominees (and at least three or four others could easily have made the cut). Neuwirth is a community favorite, but we think thisrace ultimately comes down to Mendez and Lewis, both of whom are terrific in their shows. The former won a few years ago forCarousel, and the latter has been paying her dues for decades. But in a race this close, the deciding factor may be practical:The pregnant Mendez has missed a lot of performances this spring—including, presumably, some at which Tony voters were present. That just mightputLewis over the top.

BEST FEATURED ACTOR IN A MUSICAL

Roger Bart,Back To The Future: The Musical
Joshua Boone,The Outsiders
Brandon Victor Dixon,Hell's Kitchen
Sky Lakota-Lynch,The Outsiders
Daniel Radcliffe,Merrily We Roll Along
Steven Skybell,Cabaret at the Kit Kat Club

The race: Radcliffe's tour-de-force performance of the breakdown song "Franklin Shepherd, Inc." explodes likea hand grenade in Merrily We Roll Along, propelling the rest of the production forward. It doesn't hurt that he's a major star—and a major box-office draw—who has also proved endearinglyhumble and hardworking in all five of his Broadway shows.

BEST FEATURED ACTRESS IN A PLAY

Quincy Tyler Bernstine,Doubt: A Parable
Juliana Canfield,Stereophonic
Celia Keenan-Bolger,Mother Play
Sarah Pidgeon,Stereophonic
Kara Young,Purlie Victorious

The race:The showdown betweenStereophonic's Pidgeon andPurlie's Youngmay be the single tightest race of the night, andit's one that no one can confidently predict.Pidgeon benefits from several things: There is a lot ofenthusiasm forStereophonicgenerally and for its ensemble cast specifically; the production is still running, and just extended its run; she arguably has the play's most memorable role; and she sings a lot, which voters love. (Just ask Audra McDonald, who has won two Tonys for singing in plays.) But Young'smasterful turn inPurlie is hard to forget, and this is her third nomination in this category in three years. Our gut feeling is that voters will skewYoung and look to the Best Featured Actor category to honorStereophonic.

BEST FEATURED ACTOR IN A PLAY

Will Brill,Stereophonic
Eli Gelb,Stereophonic
Jim Parsons,Mother Play
Tom Pecinka,Stereophonic
Corey Stoll,Appropriate

The race:The three actors fromStereophonicthat arenominated in this category may cancel each other out and open a door for the well-respected Stoll to sneak in. But we think this will be the placewhere voters honorone member ofStereophonic's excellent ensemble as a way of recognizing the whole cast by synecdoche. Brill is the best-known actor in the bunch, and has sensational moments toward the start of the play; but his character fades in importance as the play goes on, whereas's Gelb's becomes more and more central. We predict that will tip the scales toward Gelb, but anythingcould happen.

BEST DIRECTION OF A MUSICAL

Maria Friedman,Merrily We Roll Along
Michael Greif,Hell's Kitchen
Leigh Silverman,Suffs
Jessica Stone,Water for Elephants
Danya Taymor,The Outsiders

The race:It's a crimethat Michael Greif has never won a Tony—even for Rent orDear Evan Hansen—and the fact that he directed three original musicals this spring is a major accomplishment. But his Susan Lucci streak seems likely to continueeven if Hell's Kitchenwins Best Musical; Maria Friedman's success in turningMerrily We Roll Along around is likely to earn her this award.

BEST DIRECTION OF A PLAY

Daniel Aukin,Stereophonic
Anne Kauffman,Mary Jane
Kenny Leon,Purlie Victorious
Lila Neugebauer,Appropriate
Whitney White,Jaja's African Hair Braiding

The race:A Best Playvictoryusuallymeans one for Best Director as well, and this year will be no exception:Aukin isall but guaranteed to win.

BEST CHOREOGRAPHY

Annie-B Parson,Here Lies Love
Camille A. Brown,Hell's Kitchen
Rick Kuperman and Jeff Kuperman,The Outsiders
Justin Peck,Illinoise
Jesse Robb and Shana Carroll,Water for Elephants

The race:Illinoise is a dance show, which gives Justin Peck a huge advantage. If anyone can pull off a dark-horse surprise, it will be Camille A. Brown for her vital work inHell's KitchenorRick Kuperman and Jeff Kupermanfor The Outsidersmemorable rumble.

BESTORCHESTRATIONS

Timo Andres,Illinoise
Will Butler and Justin Craig,Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance),The Outsiders
Tom Kitt and Adam Blackstone,Hell's Kitchen
Jonathan Tunick,Merrily We Roll Along

The race: Longtime Sondheimorchestrator Jonathan Tunick is a legend in his field—he's an EGOT winner, for cripes' sake!—who won the very first Tony for Best Orchestrations in 1997 and has been nominated 11 times since. But there was no award for orchestrations when he firstcreated them forMerrily We Roll Along back in 1981. Tony voters have a chance to honor him now for his superb work on the show, and wepredict they will do just that—thoughTimo Andres has a fighting chance for histreatment ofSufjan Stevens's score for Illinoise.

BEST SCENIC DESIGN OF A MUSICAL

AMP featuring Tatiana Kahvegian,The Outsiders
Robert Brill and Peter Nigrini,Hell's Kitchen
Takeshi Kata,Water for Elephants
David Korins,Here Lies Love
Riccardo Hernández and Peter Nigrini,Lempicka
Tim Hatley and Finn Ross,Back To The Future: The Musical
Tom Scutt,Cabaret at the Kit Kat Club

The race:This category of seven iscrowded with good work, but it will be a grave injustice if behind-the-scenes wizardDavid Korins doesn't win his first (!) Tony for his stunning transformation of the Broadway Theatre into an immersive nightclub space inHere Lies Love. If Tony voters'memory fails them, however, Tom Scutt'sless radical but still prettyimpressive transformation of the August Wilson Theatre into Cabaret'sKit Kat Club might steal the prize.

BEST SCENIC DESIGN OF A PLAY

dots,Appropriate
dots,An Enemy of the People
Derek McLane,Purlie Victorious
David Zinn,Jaja's African Hair Braiding
David Zinn,Stereophonic

The race:David Zinn and the collective known as dots areeachare nominated twicein this category, but the big fight will be between theirdesigns forStereophonicandAppropriate, respectively. We think dots will take it fora final coup de théâtre that brings down the house.

BEST COSTUME DESIGN OF A MUSICAL

Dede Ayite,Hell's Kitchen
Linda Cho,The Great Gatsby
David Israel Reynoso,Water for Elephants
Tom Scutt,Cabaret at the Kit Kat Club
Paul Tazewell,Suffs

The race:As is often the British way, scenographer Scutt designed not only the sets forCabaretbut its costumes as well. We think this is where the Tonys will honor his work.

BEST COSTUME DESIGN OF A PLAY

Dede Ayite,Appropriate
Dede Ayite,Jaja's African Hair Braiding
Enver Chakartash,Stereophonic
Emilio Sosa,Purlie Victorious
David Zinn,An Enemy of the People

The race:Stereophonic's parade of 1970s finery, designed by Enver Chakartash,could well win the day. But this has been a huge year for Dede Ayite, as her three nominations attest—and of the three, Ayiteis most likely to win forher vivid costumes inJaja's African Hair Braiding, which perfectly complemented the hair design for whichNikiya Mathis is receiving a Special Tony Award this year.

BEST LIGHTING DESIGN OF A MUSICAL

Brandon Stirling Baker,Illinoise
Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell's Kitchen
Bradley King and David Bengali,Water for Elephants
Brian MacDevitt and Hana S. Kim,The Outsiders

The race:All five of this year's nominees did exquisite work, so the winner is anyone's guess. We're tempted to call it for Byrd, who is also nominated for her beautiful work in Enemy of the People, but thisseems likea category in which voters can spreadsome wealth to The Outsiders.

BEST LIGHTING DESIGN OF A PLAY

Isabella Byrd, An Enemy of the People
Amith Chandrashaker,Prayer for the French Republic
Jiyoun Chang,Stereophonic
Jane Cox,Appropriate
Natasha Katz,Grey HouseThe race:In another highly competitive category, ourguess isCox forilluminating the dark secrets of the family manse inAppropriate. But ifvoters have Stereophonic fever, this may be one more place to show it.

BEST SOUND DESIGN OF A MUSICAL

M.L. Dogg and Cody Spencer,Here Lies Love
Kai Harada,Merrily We Roll Along
Nick Lidster for Autograph,Cabaret at the Kit Kat Club
Gareth Owen,Hell's Kitchen
Cody Spencer,The Outsiders

The race:The marvelous voices in Hell's Kitchenare beautifullyserved by Garther Owen's sound design, which we believe will give him the edge.

BEST SOUND DESIGN OF A PLAY

Justin Ellington and Stefania Bulbarella,Jaja's African Hair Braiding
Leah Gelpe,Mary Jane
Tom Gibbons,Grey House
Bray Poor and Will Pickens,Appropriate
Ryan Rumery,Stereophonic

The race:It will be a shock heard round theworld if Ryan Rumery does not win for Stereophonic, in which the sound design is practically an eighth character.

HONORARY AWARDS (NONCOMPETITIVE)

Special Tony Award

Alex Edelman
Abe Jacob
Nikiya Mathis

Special Tony Award for Lifetime Achievement

Jack O'Brien
George C. Wolfe

Regional TheatreTony Award

The Wilma Theatre

Tony Honors for Excellence in the Theatre

Wendall K. Harrington
Colleen Jennings-Roggernsack
Judith O. Rubin
The Dramatists Guild Foundation
The Samuel J. Friedman Health Center for the Performing Arts